2022
Art In America, The Work of Worms, A conversation on the inspiring work of an underappreciated underground creature, Alice Channer with Amy Stewart, moderated by Emily Watlington, June/July 2022
The Guardian, 'There was only one possible theme': Alison Wilding on her climate crisis Summer Exhibition, Jonathan Jones, 23rd June 2022
Large Glass, A conversation between Alice Channer, Nicolas Deshayes and Alison Wilding, chaired by Penelope Curtis, on the occasion of the first Artist-edited feature in Sculpture Journal, 23rd June 2022
Sculpture Journal, Artist-edited feature; Sand in the Vaseline: On Twenty-First-Century Process Art, Alice Channer with Alisa Baremboym, Nicolas Deshayes, K.R.M. Mooney, Tania Pérez Córdova and Alison Wilding, June 2022
Hyperallergic, A Desert Biennial, Somewhere Between Settlers and Searchers, Renée Reizman, 19th May 2022
The Art Newspaper, An outdoor exhibition returns to Joshua Tree, the California desert's art boom town, Scarlet Cheng, 21st April 2022
Art Monthly, Roundtable - Virtual Studio Visits: Four London-based artists discuss the rise of the online studio visit, Alice Channer, Anne Hardy, Karin Ruggaber and Carey Young, January 2022
2021
Financial Times, Sculpture in the City - lending new life to London, Jackie Wullschläger, 17th June 2021
The Times, Spooked at the seaside, Waldemar Januszczak, 4th July 2021
London Review of Books, On Orford Ness, Sam Kinchin-Smith, 23rd September 2021
Art Monthly, Afterness, Matthew Bowman, 1st October 2021
The i, Afterness, Orford Ness, review: An island exhibition of secrets, lies, and nuclear catastrophe, Florence Hallett, 5th July 2021
Large Glass, Ripple and Void, Exhibition text, Rosanna McLaughlin, April, 2021
Contemporary Art Society, Friday Dispatch, Alice Channer: Megaflora, Ilaria Puri Purini, 29th April 2021
The University of the West of England Engineering Department, Video interview with Professor Ioannis Ieropoulos, whose research alongside the bodies of electricity generating bacteria inspired Nanowires, 18th November 2021
The University of the West of England Engineering Department, Video interview with Alice Channer, 18th November 2021
Quartz Studio, Worms, Exhibition text by Eva Brioschi, November 2021
2020
2019
The Guardian, Sixty Years review - Tate's all-female rehang pulls its punches, Adrain Searle, Tuesday 23rd April 2019
Artforum.com, Critics Pick: "In the Labyrinth" at Large Glass, Emily LaBarge, February 2019
The Guardian,We gotta get out of this place! The artists snared by the lure of the labyrinth, Charlotte Higgins, Sunday 3rd February 2019
Freelands Foundation, Alice Channer and Holly Hendry in Conversation with Edward Ball, 27th March 2019
2018
Yorkshire Sculpture International, Sculpture Talk: Alice Channer, Leeds Art Gallery, December 2018
Artforum.com, Critics Pick: "The shape left by the body" at The Sunday Painter, Philomena Epps, July 2018
Tate, 'Soft Sediment Deformation, Upper Body (quilted gray)', Alice Channer, 2018, Hattie Spires, June 2018
this is tomorrow, Alice Channer: A Coin in Nine Hands - Part 5, Fiorella Lanni, 25th April 2018
2016
2015
2014
2013
2012
The Brooklyn Rail, Alice Channer in conversation with Barry Schwabsky, December 2012
London Evening Standard, Alice Channer: Out of Body, Ben Luke, March 2012
2011
Guardian Unlimited.com, Artist of the Week, Skye Sherwin, April 2011
ARTINFO UK, New Comets - Five London Artists To Watch, Coline Milliard, February 2011
2010
Artforum.com, Critic's Pick: Alice Channer, Dagmar Heppner, Alicja Kwade and Maria Zahle, Quinn Latimer, February 2010
Artforum, Critic's Pick: Unto This Last, Ben Luke, June 2010
Time Out London, In The Studio, Helen Sumpter, pp. 44, June 2010
Frieze, Glasgow International, Jonathan Griffin, June 2010
ARTINFO UK, Unto This Last, Coline Milliard, July 2010
The Independent, Exhibitions of the Year, Unto This Last, Laura McLean Ferris, December 2010