Silk Cut, one half of double survey exhibition Heavy Metals / Silk Cut, (Solo), curated by Stefanie Gschwend, Kunstmuseum and Kunsthalle Appenzell, CH, 1st July - 8th October 2023

Artforum.com, Critics Pick: Alice Channer at Kunstmuseum Appenzell, Phoebe Cripps, 19th September 2023
Burlington ContemporaryAlice Channer interviewed by Rachel Withers, 22nd February 2024
Contemporary Art Daily, 8th October 2023
Kunst Bulletin, Diving into Deep Surfaces, Julia Schmidt, Issue 9, August 2023, page 32-41
St Gallen Tagblatt, Diving in a plastic pond: in Appenzell, artist Alice Channer creates an exhibition as beguiling as it is disturbing, Christina Genova, 8th July 2023
Saiten Magazine, "The world looks perfect - it is not", Larisa Baumann, 10th July 2023
Appenzeller Volksfreund, "Art cannot compete with Nature", Mirjam Bächtold, 1st July 2023
Kunstmuseum and Kunsthalle Appenzell, Heavy Metals / Silk Cut (Solo), exhibition information

Alice Channer, a comprehensive monographic catalogue (English/German) to accompany Heavy Metals / Silk Cut (solo) at Kunstmuseum and Kunsthalle Appenzell, with essays by Rosanna McLaughlin and Zoë Gray, an experimental text by Daisy Hildyard and a conversation between Stefanie Gschwend and Alice Channer, Designed by Mathias Clottu, Published by DISTANZ, Release: September 2023


Ammonite and Ammonite, both 2019, Echioceras Ammonite Fossil; Polypipe 160MMX25M Black Ridgicoil Electric INC RC160X25BE; Stainless Steel Cable Ties; Sand Cast Aluminium, 437 x 45 x 180 cm and 376 x 45 x 180 cm


The Colonization of Mars, 2023, Mirror-polished, welded and lazer-cut stainless steel; Accordion pleated hi-tech lamé; Polished Hematite, H 51.5 x W 101 x D 21.5 cm


Soft Sediment Deformation (Iron Bodies), 2023, Opal Pleated Ink Jet Prints on and in Heavy Crepe De Chine, 533 H x 410 L x 290 W x 7 D cm


Fossil (Tonna Galea) (detail), 2018, Vacuum Metallised Giant Tun (Tonna Galea) shells; Pelletized and Recycled HDPE; Steel bolts, nuts and washers, 20 D x 136 W x 247 H cm


Mechanoreceptor, Icicles (red, red) (triple spring, triple strip) (detail), 2018, Lost Wax Cast and PVC-Dipped Aluminium; Titanium; Electropolished Stainless Steel; Stainless Steel Wire; Sheet Stainless Steel; PVC Coated Stainless Steel Cables; Fixings, Dimensions slightly variable


Life Without Air (Chloroplast), 2022, Silk Cut Cigarette Ash; Polyethylene Microspheres 500 - 850 μm; Pencil and Water on and in Paper, 29.7 X 42 cm (unframed dimensions)


Life Without Air (Mesophyll), 2022, Silk Cut Cigarette Ash; Polyethylene Microspheres 500 - 850 μm; Pencil and Water on and in Paper, 29.7 X 42 cm (unframed dimensions)


NOx, 2016, Silk Cut Cigarette Ash; Polyethylene Microspheres and Gouache in and on Paper, each H94cm x W65 cm (diptych)


Dry Cask (Silk Cut), 2023, Mirror-Polished, Lazer-Cut, Rolled and Welded Sheet Stainless Steel; Accordion-Pleated Crepe Satin Silk; Sand-Cast, Machined, Vapor-Blasted and Chromed Aluminium; Sand-Cast, Machined and Vapor-Blasted Aluminium, H 28.5 x W 133.2 x D 137.4 cm


Asthmatic, 2016, Silk Cut Cigarette Ash; Polyethylene Microspheres and Gouache in and on Paper, each H94cm x W65 cm (diptych)


Planetary System (Kolzer DGK63"), 2019, Kolzer DGK63" Horizontal System Vacuum Metallizing Carousel; Vacuum Metallized Spider Crab (Maja Brachydactyla) and Brown Crab (Cancer Pagurus) Shells on Stainless Steel Jigs, 172 D x 150 W x 210 H cm


//Every///Separation///Is///A///Link// (detail), 2017, Lost-wax Cast and Mirror Polished Silicone Bronze; Lost-wax Cast and Mirror-Polished Aluminium, Dimensions slightly variable (17 parts)

© Alice Channer